Typography

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    MSN: Typography

  • Web Open Font Format backed by Mozilla, type foundries - Ars Technica

    2 Nov 2009 | 2:37 pm
    Efforts to bring advanced typography to the Web have reached an important milestone. Type designers Tal Leming and Erik van Blokland, who had been working to developing the .webfont format, combined forces with Mozilla's Jonathan Kew, who had been ...

  • WinSoft Unveils ScribeDOOR, Adding New Complex Script Capabilities to ... - TMCnet

    30 Oct 2009 | 8:02 am
    (M2 PressWIRE Via Acquire Media NewsEdge) Grenoble, France. International software developer and distributor WinSoft announced the release today of its newest products: ScribeDOOR for Illustrator CS4 and ScribeDOOR for InDesign CS4. ScribeDOOR adds ...

  • Typekit brings print-like typography to the web - PC Pro

    30 Oct 2009 | 4:34 am
    The website is among the most iconic technologies of the 21st Century but, as any web designer will testify, the typographical capabilities of modern web browsers are stuck firmly in the 1990s. In essence, if you want your fonts to appear broadly the ...

  • Crisco National Pie Champ Offers Foolproof Holiday Pie Secrets - PR.com

    29 Oct 2009 | 9:54 pm
    Orlando, FL, October 29, 2009 --( PR.com )-- Crisco National Apple Pie Champion and food writer Dawn Viola (www.dawnviola.com) is sharing her award-winning pie secrets just in time for the holidays. Whether it's divulging the one ingredient that ...

  • Work for RBJ - Rochester Business Journal

    29 Oct 2009 | 9:39 pm
    The Rochester Business Journal is an enriching environment filled with professionals working toward the common goal of producing the best business news coverage in the area. For more than two decades, the Rochester Business Journal has served as the ...
 
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    Yahoo! News: Typography

  • Prize-winning pages: Student's spread earns national acclaim in Best of Collegiate Design 17 (The Daily Cougar)

    3 Nov 2009 | 4:44 am
    College Media Advisers awarded a UH student first place in the Best of Collegiate Design contest during its annual conference in Austin over the weekend. Media production senior Mariah Davis won first place in the Magazine Contents Page category for her d...

  • Thanks to Mozilla, Web Gets Less Ugly, Good Type Gets Machine Readable (ReadWriteWeb)

    2 Nov 2009 | 7:09 pm
    Recently, a consortium of type designers and web designers have gathered around a new font format specification called Web Open Font Format ( WOFF ). The format would allow more typefaces to appear across the web and to be readable by both humans and search engines. With support from Mozilla announced with the release of Firefox 3.6, and with the advocacy of leading type foundries such as ...

  • Web Open Font Format Gets Backing From Mozilla (Slashdot)

    2 Nov 2009 | 3:22 pm
    A new format specification has reached consensus among web and type designers and is being backed by Mozilla. Dubbed Web Open Font Format (WOFF), it is an effort to bring advanced typography to the Web in a much better way. Support for the new spec will be included as a part of Firefox 3.6 which just recently hit beta. "WOFF combines the work Leming and Blokland had done on embedding a variety ...

  • Web Open Font Format backed by Mozilla, type foundries (Linux Today)

    2 Nov 2009 | 2:23 pm
    ars Technica: "Type designers and Web designers have reached a consensus on a format specification for embedding fonts on the Web. Mozilla is already including support for the font format in Firefox 3.6, and wide adoption could come sooner than many expected."

  • Web Open Font Format Gets Backing from Mozilla (Slashdot)

    2 Nov 2009 | 2:07 pm
    A new format specification has reached consensus among web and type designers and is being backed by Mozilla. Dubbed Web Open Font Format (WOFF), it is an effort to bring advanced typography to the web in a much better way. Support for the new spec will be included as a part of Firefox 3.6 which just recently hit beta. "WOFF combines the work of Leming and Blokland had done on embedding a ...
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    I Love Typography

  • Sex, lies, & type

    johno
    24 Oct 2009 | 8:24 am
    The Week in Type Welcome to a slightly later than usual week in type. Lots happening in the world of web fonts — links to the best content below. There’s also free stuff, so don’t click away. I’m thrilled by the launch of a new type foundry, Mota Italic. Congratulations to Rob and Co. As others have noted, the shopping cart is particularly novel and intuitive. Be sure to check out Vesper, their present flagship typeface; it’s bursting with lots of OpenType features, including numerous smart contextual alternates. This article’s header is set in Vesper Pro Italic & Heavy…

  • Type Camp

    johno
    5 Oct 2009 | 7:49 pm
    By Jessica R. Yurasek Let’s face it, most of the general public does not really understand typography. So when I first tell people that I attended something called ‘Type Camp’ this summer, I tend to garner a lot of puzzled looks. But, smiling bemusedly, the typographic outsider with whom I am conversing, is likely to then ask a question not so far off from my own the first time I heard about Type Camp: what, exactly, do you do there? Well, explore typography, of course. I signed up for Type Camp not quite knowing what to expect, but I knew one thing for certain: that the past…

  • Karbon type

    johno
    22 Sep 2009 | 11:14 am
    The Week in Type I’m struggling to keep up with all that’s new in type. Exciting times. Lots of great new releases, and some very novel and creative uses of type and lettering. Let’s jump straight in. I am tempted to try something like this: Click here to view the embedded video. Futura vs Verdana IKEA Smackdown: Click here to view the embedded video. From RocketBoom. Via @DesignObserver. Something a little more serious: a short profile of the wonderful Gerard Unger, the designer of one of my all-time favourites, Swift: Click here to view the embedded video. And talking of Swift,…

  • Tungsten type

    johno
    16 Sep 2009 | 4:08 pm
    the week in type Let’s begin with something tougher than steel from H&FJ. Meet the just-released Tungsten. [insert superlatives here] Would be great to see a few more weights added. She’s condensed without feeling cramped, and described by its makers as a compact and sporty sans serif that’s disarming instead of pushy — not just loud, but persuasive. Erik Spiekermann remarked on twitter, finally an answer to Compacta! Much needed. Absolutely! In my own work, I can see Tungsten singing alongside something like Logo Jnr Black. If only Tungsten had been drawn before the release of…

  • Nineteenth Century Designers & Engravers of Type

    johno
    8 Sep 2009 | 5:42 pm
    Reviewed by James Puckett “The truth of the terse but expressive ‘dead and forgotten’, comes home with peculiar force to the searcher after information about the individuals who have developed the art and craft of typefounding.” – William E. Loy The Industrial Revolution is often seen as a black hole in the history of typography. In that era the role of the punchcutter changed to that of a largely uncredited factory worker. Records of who worked on individual typefaces are sparse. Today it can seem as if there is practically no information left about the designers of the nineteenth…
 
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    Hoefler & Frere-Jones

  • Titles & End Credits

    3 Nov 2009 | 7:40 am
    Changing fashions in movie titles are one of the richest veins in typography’s fossil record. On his website, graphic designer Christian Annyas has put together a nice collection of movie title stills — both opening and end credits — offering a handy synopsis of twentieth century lettering. Rather than an exhaustive survey, Annyas has curated a small and personal collection that’s conveniently organized by decade: dipping into any period offers a convenient way of getting a taste for the lettering of the era. Keep an eye out for “in-camera” lettering, in which lettering is…

  • To the Best of Our Knowledge

    31 Oct 2009 | 9:00 am
    Since you'll be at home tomorrow anyway, hopped up on leftover miniature chocolate bars that you couldn't pawn off on discerning neighborhood kids, tune in to Wisconsin Public Radio to hear To the Best of Our Knowledge: tomorrow's program will be about fonts. Join me, Tobias Frere-Jones, and Matthew Carter for an hour of typography, either on the air or online. Other guests include Kitty Burns Florey discussing handwriting, Tracy Honn on the work of the Silver Buckle Press — and discussing the Amazon Kindle, one of my favorite people, Nicholson Baker. —JH

  • Teens, Typography, and Tim Gunn

    12 Oct 2009 | 4:30 am
    “Designers…” I knew I wanted to work with typography by the time I turned eleven. Back then, my curiosity about letter-making could only be satisfied in oblique and solitary ways, most of which involved borrowed sheets of Presstype, and goofing off with the family typewriter. The Macintosh couldn’t have come soon enough. Young typophiles today have more outlets for their enthusiasm (you are here), but next Monday will gain rare access to the profession as well: National Design Week begins October 18, when the Cooper-Hewitt National Design Museum will inaugurate the festivities with…

  • New Fonts: A Graphic Designer’s Perspective

    30 Sep 2009 | 11:00 am
    Most graphic designers choose the fonts that best fit their projects. Brian Hennings does the opposite: he chooses the projects that best fit the fonts. A resident designer at H&FJ, Brian shares with me the responsibility of creating all of the sample art you’ll find on this site. His is a strange universe of the fictitious: signage programs for mythical cities, book jackets for unwritten novels, product literature for items you cannot buy, broadcast graphics for live sporting events that you can’t quite identify. (They might have a ball, horses, cars, rifles, or all of the above.) His…

  • TUNGSTEN: A New Font Family from H&FJ.

    16 Sep 2009 | 5:00 am
    Typeface: Tungsten A few years ago, we started wondering if there was a way to make a flat-sided sans serif that was disarming instead of brutish, one that employed confidence and subtlety instead of just raw testosterone. It was an unusual design brief for ourselves, completely without visual cues and trading in cultural associations instead: “more Steve McQueen than Steven Seagal,” reads one note; “whiskey highball, not a martini” suggests another. The result is Tungsten®, a tight family of high-impact fonts in four weights: muscular and persuasive, without sacrificing wit,…
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    Typographica

  • Bonesana

    Typographica
    7 Oct 2009 | 8:51 pm
    Special thanks to Gestalten for sponsoring the Typographica nameplate for October, 2009 with Bonesana. Gestalten is known for very contemporary designs — the modular and the post-mod — so this tribute to the 18th century is quite a departure. Designed by Matthieu Cortat of Switzerland, Bonesana was initially developed for the new edition of the book “On Crimes and Punishment” written by the Italian philosopher Cesare Bonesana in the late 1700s. A family optimized for book text, there are oldstyle, lining, proportional, and tabular figures, small caps, and italics, but there is no…

  • Audio from the Web Fonts Panel at TypeCon2009

    Stephen Coles
    20 Jul 2009 | 3:56 pm
    Yesterday at TypeCon2009 in Atlanta, 11 representatives from the type community packed a stage to discuss the controversial and convoluted issue of licensing fonts for the web. I sat at the AV table and recorded the session for TypeCon. The full two hours of audio is now online. SOTA hopes to follow with video later, but I thought the interest was strong enough to warrant posting something audible as soon as we could. Panelists Moderator: Kent Lew type designer, SOTA Board Member Ted Harrison, FontLab type design software vendor Bill Davis, Ascender (font vendor) David DeWitt, Monotype…

  • Marlene

    Aegir Hallmundur
    22 Apr 2009 | 1:17 pm
    Marlene is an elegant, high contrast Egyptian face with a distinctive and contemporary calligraphic flourish. When I first saw it I was impressed at how incredibly crisp it was, as if drawn with a pen so sharp it could just as easily cut the paper as leave ink there. The italic expresses this sharpness with a wonderful sense of speed; those beautiful thin upstrokes and unusually high connection points of the bowls on a, g and y, and the standout exuberance of the k feel as if it can’t wait to get you moving on to the next letter, with the stark horizontal of the terminal serif seemingly…

  • Archer

    David John Earls
    22 Apr 2009 | 4:28 am
    A slew of slab serifs were released in 2008. Most of them continuing last year’s trend of following the cute and chunky approach, often to delicious effect. But as marvelous as so many of those slab serifs were, sadly they were let down when it came to lighter, or more usable text weights. For me, it is Archer that stood out, with H&FJ concentrating on the lighter half of the spectrum, eight weights offering a delightful range of contrast, but never venturing heavier than bold. Making a text face distinctive with a clear personality that can scale right up to display sizes is a mammoth…

  • Turning the Page

    Stephen Coles
    22 Apr 2009 | 3:41 am
    “How do you know you should start a blog? Because people keep telling you to shut up. You just won’t shut up about a subject.” — Merlin Mann, SXSW Interactive 2009 “Obsession times voice” is what luminary bloggers Merlin Mann and John Gruber offer as a simple formula for successful writing. It’s exactly these qualities that Joshua Lurie-Terrell hurled at the burgeoning bloggernet on May 1, 2002 when he opened an account on blogspot.com and called it Typographica. I asked JLT to recount those olden days: Back when blogs were a “new thing”, I wanted to experiment with this…
 
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    Typography Served

  • tears is good

    3 Nov 2009 | 6:15 am

  • Rock Around the Clock

    2 Nov 2009 | 10:15 pm

  • Radium typeface

    2 Nov 2009 | 2:15 pm
    A versatile geometric typeface drawing influence from sci-fi, graffiti and 70’s typography. Family of 3 weights, 235 characters, manual kerning. Available soon from Myfonts.com.

  • Palio ads

    2 Nov 2009 | 6:15 am
    PALIO advertising/ PALIO/ 07-08 crafty is the keyword photography by Robert Moore (HARDWIRED & INDIGENOUS), Quad Photo (STEETSMART), Thomas Duffy (YES MEN) palio.com

  • 123KLAN@BLOODSWEATVECTOR EXPO

    1 Nov 2009 | 10:15 pm
    Well it’s time to announce the very first BloodSweatVector.com exhibition. The exhibition consists completely of BSV members and will showcase over 24 artists. Opening November 12th at West Berlin Gallery in Berlin (Brunnenstr. 56, 13359). And will run from November 12th â€" December 12th.
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    Design Observer: Main Posts

  • Kick4Life

    Design Observer
    3 Nov 2009 | 9:49 am
    AIDS education mixes with soccer in plans for a new Lesotho stadium.

  • Water/Front

    Design Observer
    2 Nov 2009 | 7:34 am
    Ecological planner Nina-Marie Lister explores innovative ways to regenerate urban waterfronts.

  • Designing Obama

    Design Observer
    2 Nov 2009 | 6:14 am
    Although much has been made — rightly so — of Barack Obama's ingenious and adaptable "O" logo and the rigorously executed graphic campaign that surrounded it, the candidate himself was his own best logo.  A preview of the introduction to Designing Obama, a new book from Scott Thomas, Design Director of New Media for Obama for America.

  • 88Bikes

    Design Observer
    1 Nov 2009 | 9:03 am
    Report on a foundation that distributes bicycles to children in the developing world.

  • Renewal

    Design Observer
    1 Nov 2009 | 3:35 am
    Aid worker Lindsay Stark's portrait of the ritual purification of a child soldier in Sierra Leone.
 
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    Design is Kinky

  • It’s Nice That Issue #2

    Andrew
    29 Oct 2009 | 9:33 pm
    It’s Nice That Issue #2 is an awesome book. Go buy it!

  • Some Type Of Wonderful

    Andrew
    29 Oct 2009 | 7:32 pm
    Some Type Of Wonderful have limited edition art prints up for sale.

  • Curvy Submissions

    Murray
    28 Oct 2009 | 5:56 pm
    Submissions for the 2010 Curvy book have now opened. Female artists & illustrators looking to find out more head to Curvy World.

  • Ben Brown

    Nick
    28 Oct 2009 | 5:28 pm
    If you can’t make it to the Ben Brown exhibition at The National Grid Gallery, open till November 17th, you can get still your mitts on some prints right here.

  • Wooden Toy Submissions

    Nick
    27 Oct 2009 | 5:56 pm
    Wooden Toy Quarterly is looking for submissions for a new gallery section in the soon to be released Music Edition. The theme, obviously, is music and the deadline is November 6th so get cracking. More details here.
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    Chez Porchez

  • OpenType features in Firefox?

    jfp
    23 Oct 2009 | 7:34 am
    Sound an interesting news for OpenType features lovers. You seems now to be able to set OpenType features into your css. This story started in 2008, but with Woff around, it begin to make sense. Let’s see…

  • Travailler dur pour trouver un bon job?

    jfp
    14 Oct 2009 | 2:45 pm
    Nous sommes d’accord.

  • Avant programme [1]

    jfp
    14 Oct 2009 | 4:33 am
    Le programme dans la grandes lignes du Workshop de l’ECV Paris qui aura lieu les lundi 19 – mardi 20 octobre puis jeudi 26 – vendredi 27 novembre 2009.

  • Matériel analogique

    jfp
    14 Oct 2009 | 3:42 am
    Liste du matériel nécessaire pour le workshop de l’ECV 09. De petites variations peuvent exister, mais il semble que ce que je demande est souvent le matériel de base du parfait graphiste.

  • Font piracy

    jfp
    13 Oct 2009 | 11:54 pm
    Interesting case about NBC and Font Bureau. Another case about BoingBoing webfonts. Updated the wrong link, thanks to AC
 
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    House Industries Show and Tell

  • The Crates

    Andy Cruz
    2 Nov 2009 | 11:59 am
    In addition to local produce, new House product is currently being transported to the building in these things. Keep an eye out for the release later this month…

  • Punch Up

    Rich Roat
    31 Oct 2009 | 9:04 am
    Richard Seabrooke put together a heck of a conference conference in Dublin. I’ll be there next week, so Chris did this little portrait for me.

  • 'Cross Faces

    Rich Roat
    28 Oct 2009 | 1:56 pm
    Carlos Alejandro joined me for a while at the Granogue Cyclocross last weekend. After he cleaned all of the mud out of his lenses, he hooked me up with a few gems of the Richard Sachs team elite-class riders: Will Dugan Dan Timmerman Josh Dillon

  • Support ATMO

    Rich Roat
    22 Oct 2009 | 6:49 pm
    Richard Sachs sporting a House merino wool trainer in the bike pit at the Granogue UCI cyclocross race. Photo by Anthony Skorochod.

  • HOUSE TDC OPENING

    Andy Cruz
    21 Oct 2009 | 12:45 pm
    Thanks to all who made it to the House show/shop at the Type Directors Club last night. A few reclaimed wood frames Adam made for the serigraphs. Both wood & metal type. Cathy and Robin of Heath Ceramics slumming it. Remember Girard. Kids love the blocks…moms love the price. TDC’s Carol Wahler guarding the stainless from greezy hands. Thanks to Dan Berkman for some of the above photos
 
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    Mark Simonson Studio / Notebook

  • Ars Technica on WOFF

    Mark Simonson
    2 Nov 2009 | 9:37 am
    Chris Foresman, at Ars Technica, has written a nice, informative piece about WOFF (Web Open Font Format).

  • WOFF, a.k.a. Web Fonts

    Mark Simonson
    20 Oct 2009 | 9:56 am
    Mozilla announced today that it is going to include support for WOFF fonts, a font format designed for use on the Web, in Firefox version 3.6. I support this format and plan to allow my distributors to license WOFF fonts to customers. At this point, Firefox is the only browser to support this format, so it’s not quite ready for prime-time yet. But there is a lot of support for this in the font industry, and hopefully the other major browser makers, Apple and Microsoft, will join in soon.

  • Anonymous Pro 1.001 Released

    Mark Simonson
    9 Oct 2009 | 2:05 pm
    I’m pleased to announce the release of Anonymous Pro Version 1.001. This version contains mostly user-requested tweaks and fixes, including: The comma and the comma part of the semicolon have been moved down about a pixel (depending on the size) to improve clarity. The design of the “quotesinglbase” and “quotedblbase” match the look of the “straight” quotes (the earlier designs didn’t match anything). The periods and other “dot” punctuation elements are a bit bigger in some bitmap sizes/styles. Fixed the hinting problem that caused…

  • Typedia is Here

    Mark Simonson
    24 Aug 2009 | 3:19 pm
    Typedia, a shared, online encyclopedia of typefaces, just launched today.

  • Type Radio Video

    Mark Simonson
    31 Jul 2009 | 11:44 am
    Type Radio is my favorite podcast. Now there is a video about it. So, that’s what they look like. (Thanks to Paul Hunt for posting a link to the video on WeLoveTypography.)
 
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    Ralf Herrmann’s Typography Weblog

  • Wayfinding observations: Landmarks and cardinal directions

    ralfherrmann
    When we come to a new city we build a cognitve map to represent this city in our minds. Unless you have photographic memory such cognitve maps work differently from topographic maps. They don’t consist of exact representations and distances, but are driven by landmarks and the paths that connect them. A landmark can be anything that clearly stands out from its environment, like a tower or a church. But one of the most important landmarks are rivers that divide a city. London is divided by the Thames, Paris by the Seine and Vienna by the Danube. Last week I visited Vienna for the first time…

  • Designing the ultimate wayfinding typeface

    ralfherrmann
    Over the last couple of years I have researched the design and use of typefaces used for signage, especially road signage. While road signs in general are scientifically researched for many decades in western countries, little is known about the parameters that lead to a maximum legibility of typefaces used in signage. And therefore the range of typefaces used on road signs is pretty wide. We see geometric typefaces… Road Sign Poland …slanted serif typefaces… Road Sign Luxembourg …and many old and modern sans-serif typefaces… Netherlands (ANWB-Uu by Gerard Unger) But which ones are…

  • Why webfont services are the future of fonts on the web

    ralfherrmann
    The debate about webfonts just reached its peak at a panel discussion on this year’s TypeCon conference. (You can listen to the 2 hours audio at Typographica and read summaries at i love typography and NiceWebType.) The discussion left a lot of people puzzled about how the future of fonts on the web might look like. Here is my outlook  … As a type and web designer, webfonts were always of great interest to me. As a type designer I was shocked, when Safari started to support linking TrueType and OpenType fonts (now usually called “raw fonts” in this context) with Safari 3.1 in march…

  • The Potential of Web Typography

    ralfherrmann
    Firefox 3.5 with support for webfonts is out. This demo page by Ian Lynam & Craig Mod shows how commercial webfonts can enrich a website. The demo page uses subsetted versions of fonts from the Dutch foundry Underware and “is intended to show what will be possible once foundries revise their EULAs allowing for high-quality professional level fonts to be referenced in CSS“.

  • Folder Type

    ralfherrmann
    Beautiful type animation build with colored empty folders on MacOS X. Folder Type from Emilio Gomariz on Vimeo.
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    The Fell Types

  • Firefox and new font control features for designers

    Igino Marini
    1 Nov 2009 | 11:07 am
    John Daggett of Mozilla Japan is currently working on development of the Firefox browser and wanted to let me know that he used some of the Fell Type fonts on an example page which mimics the rendering of historical texts. «This page uses downloadable fonts to try and render the quoted text as it would have been rendered historically.  Additionally, we’re working on ways of extending CSS so that it can make use of font features, in this case the alternate form of the ’s’ character and the various historical ligatures.  Attached is a rendering with an experimental version…

  • Il Covile

    Igino Marini
    1 Nov 2009 | 10:24 am
    The Fell Types have been used for the printed version of Il Covile, an italian newsletter supervised by Stefano Borselli about art, culture, philosophy, politics, …, life. You can download here n.531 and n.532.

  • “Jules Destrooper” Biscuterie

    Igino Marini
    28 Jun 2009 | 8:57 am
    I’ve been contacted by Marc Kino, Brandmanager / Graphic designer of Biscuiterie Jules Destrooper Zwaanhofweg 20 – 8900 Ieper Belgium. He let me know he used one of the Fell Flowers for the design for the Year End collection 2009. Since he was grateful for my work he wanted to send me some samples hoping I like their biscuits as well as he likes my work. I do! What can I say? It seems he knows me! Some of the biscuits I received

  • Testamentum – De Trasmutationibus Metallorum

    Igino Marini
    28 Jun 2009 | 8:37 am
    «In the year of grace 1603, the Scottish follower Sethon Alexander, better known under the pseudonym of Cosmopolite, wrote in Latin a third treaty which completed his testamentary work  ”Testamentum, De Transmutationibus Metallorum” – Testament or About the Transmutation of metals, which was enriched by his own hand of eleven emblems or “Clavicle.” According to his last wishes the two treaties, through his disciple Sendivogius were actually offered to the public: The philosopher’s stone in twelve treaties in 1604 and Dialogue of Mercury, the alchemist…

  • The Typographer’s Left Shoe

    Igino Marini
    25 Jan 2009 | 3:23 pm
    The Typographer’s Left Shoe is a book written by Richard McGowan in 2008 that you can find on Lulu.com. The year is 1932. The typographer Jacob Brown, aged 51, once dreamed of having sons to carry on his trade, but has never married. Emily Weldon, the cobbler’s daughter of eighteen, meets Mr Brown while delivering a new pair of shoes. Before long, Emily is assisting in the shop, and soon falls hopelessly in love. With such a vast difference in age, they are hardly an appropriate match. Perusing an old book of Ancient Remedies to learn of love potions, Emily prays they can be…
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    Type 101

  • New Faces in Washington

    Kent Lew
    28 Oct 2009 | 6:09 am
    Last week the venerable Washington Post unveiled its new design, eight months in the making. More a “tweak” than an extreme makeover, the redesign was accomplished by an in-house team in collaboration with Roger Black and his studio. Charles Apple presents a very thorough review of the newspaper’s structural and design changes on his Visual Editors blog, including ample links to other sources and a PDF of The Post’s own special section detailing the changes. The obvious change to The Post’s body copy font gets noted in several articles. But some of the more…

  • From Boston to Mexico City

    Dyana Weissman
    22 Oct 2009 | 12:56 pm
    Packing is almost done. My presentation is saved in about 40 different formats and 8 different places (one can never be too careful). Before I am technically awake on Sunday morning, I’ll be getting on a plane bound for Mexico City. I’m excited, and I can barely wait for ATypI: The Heart of the Letter to begin. This promises to be one compelling conference. Web fonts are on top of everyone’s mind. David Berlow will be speaking about his experience with developing them in relation to designing agate fonts. Attendees will get a rare glimpse into the workings of his innovative…

  • moving type!

    Cyrus Highsmith
    20 Oct 2009 | 10:58 am
    I sent Brent Barson an email to tell him how much I enjoyed the opening titles for the fifth Typophile Film Festival made by him and his students. It happens to feature Scout and Dispatch but for me that was just a bonus. The animation is really amazing. Barson replied that it turns out Scout and Dispatch were just asking to be cut out of wood, metal, and plexiglass. Who knew? Christian Schwartz’s handsome Farnham also shows up, among others. Scout also shows up in the inimitable Laurie Rosenwald’s animated chaos. Keep your eyes peeled for Loupot, me and Laurie’s collaborative…

  • font flick!

    Cyrus Highsmith
    24 Sep 2009 | 8:42 am

  • How We Read

    Cyrus Highsmith
    10 Sep 2009 | 11:31 am
    A common maxim among type designers is that drawing a typeface isn’t about drawing beautiful letters: drawing a typeface is about making beautiful words. A typeface is a collection of separate parts that have to work together in every possible combination to form unified words. Words can be very different from each other. A word can be as short as a single letter, or a word can be incredibly long. A word can be all lowercase letters, or a word can be all uppercase letters. A word might be a combination of both upper and lowercase letters. A word can include punctuation, like a hyphen or an…
 
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    type4screen

  • Tiny Sub-Pixel Font

    admin
    12 Oct 2009 | 1:05 pm
    This is an amazingly small sub-pixel font – it has 3 pixel x-height and is still legible. Great for icons and fav icons etc. Created by a Slovenian student, you can read more about it at his Typophile blog.

  • Web fonts debate yet again…

    admin
    12 Oct 2009 | 12:49 pm
    There will be another panel discussion about web fonts, this time at the 2009 ATypI conference, Mexico City on 26-30 October. Type design legend John Berry will chair the panel about font embedding: “It’s all about getting new fonts onto a web page, so the content doesn’t all end up in default Times or Arial. After [...]

  • Web fonts, the debate goes on…

    admin
    17 Sep 2009 | 2:53 pm
    Too lengthy to comment on, no time to do so….so here is a bunch of links that capture the main arguments. • Web fons, where are we? article on ILT blog. • Nice Web Type is another typography blog, but dedicated to web typography issues and fonts. • Podcast episode about Web Fonts on Read Between The Leading. • Mark Wubben’s talk [...]

  • Lisbon Treaty viral

    admin
    17 Sep 2009 | 6:47 am
    This piece was created by Dan Flynn, a graduate of this year’s BA(Hons) in Visual Communication Design at IADT. Its nicely paced and easy to read with some lovely animated word plays. The seamless 2.5D transitions create an immersive typo/info graphics space. Lovely work!
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    TypeOff.

  • Happiness update

    Dan Reynolds
    29 Oct 2009 | 9:50 am
    A year ago, on October 17, 2009, I posted my personal recipe for happiness. On Saturday, I am finally moving to Berlin. So how is my post-MATD Reading master plan coming along? DB Mobility BahnCard 100 iPhone 3G 8GB Move to Berlin Get a dog Achieve personal bliss What a difference a year makes! I’m already on my second DB Mobility BahnCard 100. As you can see, I have yet to achieve personal bliss. But I’m working on it. I’ve penciled in my potential dog-getting date for sometime in February or March 2010.

  • Germany’s FH Wiesbaden gets new name

    Dan Reynolds
    27 Oct 2009 | 5:09 am
    Back in 2001–2002, while I was finishing up my BFA at RISD, I spent a semester abroad at the Fachhochschule Wiesbaden, a large-ish University of Applied Sciences in Wiesbaden, Germany. The German-language blog Design Tagebuch (design diary) reports that this university has gotten a new name: the institution is now going to be know as the Hochschule RheinMain. Total bullocks! While I think that the new school logo is an improvement (the old logo looked like the US state of Texas with a hat on it), I find the name “Hochschule RheinMain” rather pompous. In Germany’s…

  • Malabar claims German Design Prize Gold

    Dan Reynolds
    23 Oct 2009 | 4:32 am
    This year’s German Design Prize jury has selected my Malabar typeface as one of ten works from across the nation to received the coveted design prize of the Federal Republic of Germany in gold. In June, the German Federal Ministry of Economic and Technology nominated my Malabar typeface for the 2010 German Design Prize. The design prize of the Federal Republic of Germany is the country’s highest distinction in the field of design. No other design award sets such strict criteria on entries. A company can only enter the competition of its product has already been recognized in…

  • Mota Italic launches!

    Dan Reynolds
    14 Oct 2009 | 3:59 am
    Rob and Sonja Keller like to do things differently. For years, Rob Keller’s personal blog, youshouldliketypetoo, has followed the beat of its own drummer. The layout, color scheme, and navigation system do not look like those of a standard weblog, whether one thinks of the online typorati landscape or not. The Kellers’ first joint publication, TypeNews.net, also has its own look and quirks; I don’t see any stylistic resemblance to other popular type information sites, like iLT, TypeDaily, Typographica, or Typophile. Now the Keller duo has officially entered the type business…

  • Dmig2 published! (Read the HTML version)

    Dan Reynolds
    8 Sep 2009 | 11:44 pm
    Years ago, in what seems to have been a time before the German type blogs Slanted and FontBlog were born, I recall often visiting a site called Design Made in Germany. Under the motto “German design is gray,” this site offered users a reduced, simple interface, as well as lively discussion. It was not unique on my radar; the two German type fora Typografie.info and TypeForum were great sites to visit as well. But dmig did occasionally have interesting type and font-related threads. At some point, the site disappeared into the ether, but I never seemed to notice. Slanted had become…
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    The FontFeed

  • Erik Spiekermann On Thirty Conversations On Design

    Yves Peters
    2 Nov 2009 | 2:28 pm
    Thirty Conversations On Design is a project by Joe Cecere – VP, Creative Director at Little&Company, a Minneapolis-based strategic design firm. An active mentor and member of AIGA Minnesota, his expertise and work are sought out by clients that include Target Corporation, Warner Bros., Microsoft and many household regional brands including the Minnesota Historical Society. [...]

  • Last Day Of ATypI Conference TYP09 In Mexico

    Yves Peters
    30 Oct 2009 | 9:41 am
    People who couldn’t attend were able to follow the conference online via Twitter chatter and visual impressions on the ATypI Mexico 2009 Flickr Pool.

  • Pixel Type On Massive Attack Video Wall

    Yves Peters
    29 Oct 2009 | 3:45 am
    Dot matrix type and modular letters play a crucial role in the concert visuals of the Massive Attack live shows.

  • Horrible Truth Behind Pixar Intro Finally Revealed

    Yves Peters
    27 Oct 2009 | 4:07 am
    College Humor has released footage that reveals what actually does happen when the mascot Luxo jumps on the "I" in the famous Pixar intro.

  • Thomas Milo Presented With Dr. Peter Karow Award At DTL FontMaster Conference

    Yves Peters
    26 Oct 2009 | 7:53 am
    On the 18th of November Dr. Peter Karow shall personally present the award to Thomas Milo at the Type[&]Design 2009 conference in The Hague.
 
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    upscale typography

  • Daily Stylistic Initials

    admin
    20 Oct 2009 | 11:42 pm
    llustrator, designer and typographer Jessica Hische from Brooklyn New York, loves drawing type. Jessica came up with idea to create a new hand-crafted decorative initial cap every working day and offer them for free to bloggers around the world. Here is an interesting way to make your blog look more appealing. This is an ongoing [...]

  • Typodarium 2010. Your Typographic Wake-Up Call

    admin
    16 Oct 2009 | 2:25 am
    Following the success of the first issue of tear-off calendar typodarium 2009, the german creative team Magma, headed by Lars Harmsen and Raban Ruddigkeit, presents the new one for 2010 which has just been published by Verlag Hermann Schmidt Mainz. This tear-off calendar presents 365 different typefaces by 180 designers from 30 countries. Traditional, functional and inspirational artwork at the front [...]

  • Type Design Tips from Computer Arts

    admin
    12 Oct 2009 | 11:57 pm
    The October issue of Computer Arts Magazine speaks to 30 type practitioners around the globe who offer their expert advice on type design. From leading and kerning to managing fonts, designers reveal 114 pro type tips they follow to the letter. Here is a small excerpt with some of them: “…Never just shrink full-size caps [...]

  • Parachute wins 3 Awards

    admin
    29 Sep 2009 | 2:34 am
    The results of the International Type Design Competition “Modern Cyrillic 2009″ were announced last week. The competition took place in Moscow and was held by ParaType with support by the Federal Agency for Press and Mass Communications of Russia. It was dedicated to the 300th anniversary of Peter the Great’s reform of Russian typography. This event follows the [...]

  • The art of typography in Budapest

    admin
    24 Sep 2009 | 7:27 am
    Our summer destination was Budapest the capital of Hungary, one of the most beautiful capitals of Europe with a flavor of art deco architecture. We paid a visit to the Budapesti Történeti Múzeum (Budapest History Museum) which is inside the palace of Budapest. One of the permanent exhibitions includes “Budapest in the Modern Age” which [...]
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    Typophile - News

  • St Bride Library: Isotype Revisited

    Miss Tiffany
    3 Nov 2009 | 11:34 am
    * Three short talks * Wednesday 18 November 2009 at 7pm * In the Bridewell Hall, St Bride Foundation * Admission £7 - concessions £5 - Friends of St Bride £3 * Pay on the door Three short talks about lesser-known aspects of Isotype, a method for showing facts and connections in pictorial form. The talks draw on new research from the ‘Isotype revisited’ project at the University of Reading. Matthew Eve: From hieroglyphics to Isotype ————————————————————— Between…

  • St Bride Library: Mad Kings and Englishmen

    Miss Tiffany
    2 Nov 2009 | 11:25 am
    Mad Kings and Englishmen: a month dedicated to Charles Dickens ============================================================== These lunchtime events with a Dickensian flavour partner the St Bride Foundation Lunchbox Theatre production Mad Kings and Englishmen, written and directed by Jessica Swale and presented by Red Handed Theatre Company. The show runs Tuesday–Friday, 27 October–20 November 2009. Dickens paper and print treasures ————————————————- * Dates Friday 30 October and Fridays 6, 13,…

  • TIPO releases Loreto

    fontime
    30 Oct 2009 | 8:26 am
    Typo is proud to announce the release of a new font family “Loreto” This font gets its inspiration from the typography of the Manuale ad Usum (1721), printed by Jesuit missionaries who worked at the beginning of the XVIII century with communities of “Guaraná” native indians from the Northeast region of Argentina. It is a manual of sacraments published by Paulo Restivo and some collaborators among the native population. This manual features the peculiarity of being the first printed piece where there is a record of the place where it was printed: at the Loreto mission.

  • Dr. Peter Karow Award for Thomas Milo

    Miss Tiffany
    26 Oct 2009 | 10:58 am
    ’s-Hertogenbosch, the Netherlands, 26 October 2009 Frank Blokland reports: The second Dr. Peter Karow Award for Font Technology & Digital Typography has been awarded to Thomas Milo for the development of the ACE layout engine (the heart of the Tasmeem plugin for InDesign ME) for Arabic text setting. The Dr. Peter Karow Award for Font Technology & Digital Typography is presented once per five years to a person who makes an exceptional and innovative contribution to the development of digital type and typography related technology. The first Dr. Peter Karow Award was presented to…

  • ParaType fonts now available from Ascender

    billdavis
    22 Oct 2009 | 2:35 pm
    Ascender Corporation, a leading provider of advanced font products, announced today a license agreement with ParaType Inc. to distribute its extensive collection of Cyrillic and multilingual fonts. ParaType Inc. was established in California in 1998 as a successor of the Type department of ParaGraph International in Moscow, Russia. ParaType is directed by Emil Yakupov, who leads their multilingual type development efforts. The ParaType fonts add to Ascender’s extensive collection of high quality multilingual fonts. The ParaType library includes original and historic fonts developed by…
 
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    Type Specimen Pool

  • Lining Latin Condensed No. 550, ATF

    31 Oct 2009 | 12:32 pm
    bogtrykkeren has added a photo to the pool: 28. pkt. Schmale Renaissance cast by Schriftgießerei Genzsch & Heyse AG, Hamburg, D Specimen from: American Specimen Book of Type Styles, ATF 1912.

  • Breite magere Mediaval m. Zierschrift Initialen

    31 Oct 2009 | 12:31 pm
    bogtrykkeren has added a photo to the pool: 20 pkt. Breite magere Mediaval m. Zierschrift Initialen from Wilhelm Woellmers Schriftgießerei, Berlin SW, D. Specimen from; Muster-Sammlung, Wilhelm Woellmer’s Schriftgiesserei und Messinglinienfabrik, Berlin SW, 1894.

  • Breite magere Mediaval m. Zierschrift Initialen

    31 Oct 2009 | 12:31 pm
    bogtrykkeren has added a photo to the pool: 20 pkt. Breite magere Mediaval m. Zierschrift Initialen from Wilhelm Woellmers Schriftgießerei, Berlin SW, D. Pre 1894.

  • Debacle Regular Ligatures

    30 Oct 2009 | 1:34 pm
    Reserves has added a photo to the pool: Preview of included Debacle Ligatures. 317 Characters. Hand kerned. Contains OpenType features such as basic fractions, expanded ligatures and alternate stylistic characters. *Update - Added TI, IT & EA ligatures since original post Debacle - rsrvs.com/index.php?act=viewProd&productId=82

  • Metroblack

    25 Oct 2009 | 12:44 am
    bogtrykkeren has added a photo to the pool: Metroblack designed by W.A. Dwiggins in 1930 for Linotype. Remark the alternative , ’ ; A G etc. From: Grafisk Teknik 1947, No 3, page 92.
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    Fonts.com: About Fonts

  • Libelle

    12 Oct 2009 | 2:22 pm
    The Libelle™ typeface is a luxuriant and dazzling display of the lettering and typographic arts. This digital interpretation of the 18th-century copperplate hand harnessed the power of the OpenType™ format to produce a font that is not only stunning, but also extraordinarily versatile.

  • ITC Legacy Square Serif and ITC Legacy Serif Condensed

    12 Oct 2009 | 2:22 pm
    ITC Legacy Square Serif and ITC Legacy Serif Condensed designs, from Ron Arnholm, are the newest additions to the ITC Legacy family of typefaces. These new designs are great communicators in their own right and, when added to the other faces in the Legacy series, create a type family that is greater than the sum of its parts.

  • Aviation Partners

    12 Oct 2009 | 2:22 pm
    Aviation Partners (AVP) was founded as a presentation design company in

  • ITC Obliqua

    12 Oct 2009 | 2:22 pm
    Affable, legible and versatile, the Obliqua™ typeface family has it all. Drawn by César Puertas, this new ITC typeface should be a valuable addition to any graphic designer’s tool kit.

  • Ysobel Pro

    12 Oct 2009 | 2:22 pm
    The Ysobel™ typeface family is elegant, versatile and a consummate graphic communicator. Designed for newspaper and periodical copy, it is equally at home anywhere that easy reading and space economy are important design goals.
 
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    Ministry of Type

  • Map Cuts

    Aegir Hallmundur
    1 Nov 2009 | 6:13 am
    Just a little heads-up on these cutout maps by Karen O’Leary — I think they’re lovely. There’s more info on her Etsy page and here on The Jailbreak, where I found the link. O’Leary has done Paris and New York, and is planning to do London. She says she’ll take commissions for other cities too, so get in there fast if you want one as they obviously take a while to do and I think she’ll be quite busy for a while. Found via The Jailbreak.

  • Playboy Magazine

    Aegir Hallmundur
    1 Nov 2009 | 4:32 am
    Entirely coincidentally, I get to post about another archive of a long-running and well-known magazine; this time, Playboy. John of I Love Typography tweeted a link to this, just over 50 issues of Playboy from 1954 to 2006. The site will require you to install Silverlight, but is fairly well put together and easy to use, with a nice contents feature that also lists the ads and a search function that works well. If you need to be reminded that Playboy magazine contains a few pictures here and there of ladies in provocative poses with few clothes on, then consider yourself reminded — for…

  • LIFE Magazine

    Aegir Hallmundur
    30 Oct 2009 | 6:56 am
    I’ve been browsing through some of the copies of LIFE magazine in this wonderful archive on Google Books, and as well as the photography and journalism I’ve found some real type treasures, especially in the advertisments. Some of the slogans and phrases read just like bits of pangrams or the beautiful mini-stories that Font Bureau create for their type samplers, and some of the type and lettering is quite lovely. The ones below are mostly from this issue from May 1945. A few are also from this one, which also has a short article and some photos (from page 43) of the first Lewes…

  • Red and Black

    Aegir Hallmundur
    25 Oct 2009 | 4:31 am
    I’ve been marking so many things in my RSS feed either to read later or ‘post about this’ lately, and yet it seems I’ve had no time to do either of these things. This is one I’ve had marked for a while, from the ever-inspiring For Print Only, and perfectly demonstrates why red and black is such a great combination in print. I love the spreads in this report, and I’ll definitely be referring to this as inspiration for a while. Lovely stuff, go and take a look at the other images — a couple of my favourites are below.

  • Visual Miscellaneum

    Aegir Hallmundur
    25 Oct 2009 | 3:52 am
    A quick heads-up on a book project I had the honour of being involved with. If you’re a regular visitor to Information is Beautiful you’ll of course already be aware of this, but just in case you aren’t, The Visual Miscellaneum by David McCandless is available for pre-order on Amazon. Sadly, I only had time to do one image for the project, but I see from the back that it looks like it made it into the book, so hurrah! Pre-order on Amazon UK here, and Amazon US here. It’ll most likely be available elsewhere too. No, these aren’t mine. I just like them. I’m…
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    TypeCulture

  • Our Newest Essay

    12 Oct 2009 | 7:14 am
    Juliet Shen’s fascinating dissertation about America’s most prolific type designer.

  • New Links in the Research Directory

    12 Oct 2009 | 7:14 am
    Milestones in Typography and Handwriting to Printed Type and a fine look at the Arts & Crafts movement and the traditionalist printing it inspired: Arts and Crafts & The Private Press.

  • Latienne Pro Is Here!

    12 Oct 2009 | 7:13 am
    TypeCulture’s lively Latienne typeface family has been upgraded into large character sets with more OpenType features and special characters for the demanding typographer. There’s a new specimen PDF, too.

  • News From Ntulya

    12 Oct 2009 | 7:13 am
    In March, TypeCulture pledged support to the Africa Schoolhouse Foundation’s pilot project in Tanzania. A progress report has been posted on TypeCulture’s Facebook page.

  • New in the Research Directory . . .

    15 Jul 2009 | 3:42 pm
    . . . and new online: The Rob Roy Kelly American Wood Type Collection. Absolutely fabulous. Look for it in the Research Directory under Museums & Collections.
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    Swiss Legacy

  • Ffffoundbook

    Xavier Encinas
    27 Oct 2009 | 3:24 pm
    Fabian Jochen Kanzler & Steve Michaelis came up with this very nice Ffffoundbook that gather more than 5000 images from the bookmarking website.

  • Regular, Graphic Design Today

    Xavier Encinas
    26 Oct 2009 | 7:22 pm
    © Clusta Regular, Graphic Design Today Graphic design is in constant flux. In recent years, the digitalisation of media and the return of materials and personal identity have strongly influenced the development of graphic design and its adjoining disciplines. This evolution has prompted designers to define new rules and aesthetics paving the way for future media. Regular documents the current state of graphic design and presents a new generation of creative excellence. The book features examples of progressive manifestations in the printed form from poster design, book and magazine editorial…

  • Laika, a dynamic typeface

    Xavier Encinas
    22 Oct 2009 | 11:35 am
    With LAIKA, there is finally a font that can seamlessly use the whole spectrum of its cuts. A font that is able to move between its extremes in real time. An interactive font that is able to respond to its surroundings. A font that questions deadlocked dogmas and throws up completely new design questions, and thus has the potential to revolutionise the understanding of digital typography. More here

  • Folch Studio Updates

    Xavier Encinas
    2 Oct 2009 | 12:09 pm
    The brilliant Barcelona based studio Folch Studio updated with some new sexy projects. Folch studio is one of my all time favorite design practice…

  • Graphic Design in France 2009/2010

    Xavier Encinas
    2 Oct 2009 | 11:57 am
    Every 2 years the National Center of Applied Arts in France publishes this little boo, giving a point of view on the state of graphic design in France. This year the focus is on typography. This book includes articles from Thomas Huot-Marchand, Jean-Baptiste Levée, Peter Bil’ak and Michel Wlassikoff. For each issue a new design studio is in charge of the Art Direction and Graphic Design, this years the french duo Atelier Müesli crafted a beautiful piece. This publication is in French only.
 
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    GEOTYPOGRAFIKA

  • New tone poems of color.

    Erik Brandt
    1 Nov 2009 | 8:19 am
    Final work now on Geotypografika Flickr. Above: The final stages in MCAD student Lisa’s NYTimes color study. Please see more work from this foundation level grupetto on Geotypografika Flickr. I am very grateful to this group for their hard work. Avanti! Above: More from Lisa’s process and final vision. More on Geotypografika Flickr. Related posts:Tone Poems of ColorApropos grids… tone poems of color.MCAD_FDN_1111_Sec_06_Brandt

  • Alexandra Roche / New contributor.

    Erik Brandt
    1 Nov 2009 | 8:01 am
    Fresh perspectives from Minneapolis. Above: Alexandra Roche, experimental work, 2009. Geotypografika is pleased to welcome new contributions from Alex, who is readying new posts on relevant issues! Herzlich Willkommen, Alex. Related posts:Verena Gerlach / MCAD_Emily ReileHypeForTypeBasically Yeah

  • MCAD_GRD_2010_F09_Brandt

    Erik Brandt
    31 Oct 2009 | 11:48 am
    Long overdue update from this beginning type grupetto. Above: MCAD student Daniel, from a recent update to Geotypografika Flickr. I am please to share some work from this hard working grupetto, and have finally had time to post these. Please for to be enjoying. Above: MCAD student Courtney. Above: MCAD student Peter S. Above: MCAD student Tara. Above: MCAD student Tuesday. Above: MCAD student Clarissa. Above: MCAD student Peter W. Sugoi… Much more on Geotypografika Flickr. Related posts:Peter IversonBasically YeahGRD_3020 Perso-Arabic Images

  • More

    Erik Brandt
    28 Oct 2009 | 5:33 pm
    GRD_3020_F09: Additions to our recent efforts. Above: MCAD student Christopher. Several posters have been added to a former post, and more images to Geotypografika Flickr. Above: MCAD student Christopher, black and white proof, 24×36. More. Above: MCAD student Mitchell. Above: MCAD student Amy. Related posts:Typonauts in Space: 20 Jahre MauerfallLet it snow.Crowdspring / Global GD Marketplace

  • HypeForType / Exclusive Volume 2.0

    Erik Brandt
    27 Oct 2009 | 5:04 pm
    Fresh Type from Nottingham. Sugoi, ne? Above: Capset, by Suprb (Keywords: Slab, Swedish… Oh, and I say Hell Yeah!). Via Alex at HypeForType, Exclusive Volume 2.0 is now available. Above: Protozoa, by Richard Perez. Much more at Exclusive Volume 2.0. Many thanks for sharing this new release, Alex. Related posts:HypeForTypeAlexandra Roche / New contributor.Shakeup Media / Gulf Times
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